1916.82/Record 2, handaxe knapped around a fossil shell, Lower Paleolithic, Norfolk, © Museum of Archaeology and Anthropology, University of Cambridge
1916.82/Record 2, handaxe knapped around a fossil shell, Lower Paleolithic, Norfolk, © Museum of Archaeology and Anthropology, University of Cambridge
1928.689, barkcloth mask, Papua New Guinea, 19th century, © Museum of Archaeology and Anthropology, University of Cambridge
1928.689, barkcloth mask, Papua New Guinea, 19th century, © Museum of Archaeology and Anthropology, University of Cambridge
1936.380, sperm whale tooth, Fiji, 19th century, © Museum of Archaeology and Anthropology, University of Cambridge
1936.380, sperm whale tooth, Fiji, 19th century, © Museum of Archaeology and Anthropology, University of Cambridge
1942.20.3, china tea cup, Tibet, © Museum of Archaeology and Anthropology, University of Cambridge
1942.20.3, china tea cup, Tibet, © Museum of Archaeology and Anthropology, University of Cambridge
2016.43 ‘Exhibit A’ by Caroline Rothwell, aquatint print, 2015, © Museum of Archaeology and Anthropology, University of Cambridge
2016.43 ‘Exhibit A’ by Caroline Rothwell, aquatint print, 2015, © Museum of Archaeology and Anthropology, University of Cambridge
2017.4, Bhupendra Jaidev Baghel, 'Colonial Encounter', 2016, © Museum of Archaeology and Anthropology, University of Cambridge
2017.4, Bhupendra Jaidev Baghel, 'Colonial Encounter', 2016, © Museum of Archaeology and Anthropology, University of Cambridge
2017.55, ghost net turtle sculpture 'Bee Dee' made by Florence Gutchen, 2016, © Museum of Archaeology and Anthropology, University of Cambridge
2017.55, ghost net turtle sculpture 'Bee Dee' made by Florence Gutchen, 2016, © Museum of Archaeology and Anthropology, University of Cambridge
1953.61 A, red-deer frontlet, Mesolithic, Star Carr, © Museum of Archaeology and Anthropology, University of Cambridge
1953.61 A, red-deer frontlet, Mesolithic, Star Carr, © Museum of Archaeology and Anthropology, University of Cambridge
Study for ‘Summer: Young September’s Cornfield’, by Alan Reynolds, 1954, courtesy of Kettle's Yard, University of Cambridge
Study for ‘Summer: Young September’s Cornfield’, by Alan Reynolds, 1954, courtesy of Kettle's Yard, University of Cambridge
Untitled aquatint etching by Sonia Delaunay, courtesy of Kettle's Yard, University of Cambridge
Untitled aquatint etching by Sonia Delaunay, courtesy of Kettle's Yard, University of Cambridge
Detail of a harp made by Sébastien Érard, circa early 1800s, courtesy of The Abbotsford Trust, Abbotsford, Melrose
Detail of a harp made by Sébastien Érard, circa early 1800s, courtesy of The Abbotsford Trust, Abbotsford, Melrose
Detail of a silver salver featuring Sir Walter Scott's coat of arms, courtesy of The Abbotsford Trust, Abbotsford, Melrose
Detail of a silver salver featuring Sir Walter Scott's coat of arms, courtesy of The Abbotsford Trust, Abbotsford, Melrose
U’u club featuring a bifacial design, circa late 18th/early 19th century, Marquesas Islands, from a private collection (on loan to English Heritage for display at Audley End House and Gardens, Essex)
U’u club featuring a bifacial design, circa late 18th/early 19th century, Marquesas Islands, from a private collection (on loan to English Heritage for display at Audley End House and Gardens, Essex)
E-17-7, basalt axe blade, collected by William Dampier from New Britain in March 1700, © Sedgwick Museum of Earth Sciences, University of Cambridge
E-17-7, basalt axe blade, collected by William Dampier from New Britain in March 1700, © Sedgwick Museum of Earth Sciences, University of Cambridge
Henri Gaudier-Brzeska, 'Red Stone Dancer', 1913-14 (posthumous cast, 1969), © Kettle’s Yard, University of Cambridge
Henri Gaudier-Brzeska, 'Red Stone Dancer', 1913-14 (posthumous cast, 1969), © Kettle’s Yard, University of Cambridge
Richard Pousette-Dart, 'Four brass rings and one jade ring', n.d. (pre-1966), © Kettle’s Yard, University of Cambridge
Richard Pousette-Dart, 'Four brass rings and one jade ring', n.d. (pre-1966), © Kettle’s Yard, University of Cambridge
Unknown artist, carving of a man, before 1966, © Scott Polar Research Institute, University of Cambridge
Unknown artist, carving of a man, before 1966, © Scott Polar Research Institute, University of Cambridge
D 1976.135, porcelain tea cup with stand and lid in brass, Tibet, © Museum of Archaeology and Anthropology, University of Cambridge
D 1976.135, porcelain tea cup with stand and lid in brass, Tibet, © Museum of Archaeology and Anthropology, University of Cambridge
E 1894.28, bamboo quiver with poisoned dart, Borneo, © Museum of Archaeology and Anthropology, University of Cambridge
E 1894.28, bamboo quiver with poisoned dart, Borneo, © Museum of Archaeology and Anthropology, University of Cambridge
N.98086.GOS ‘Trading boats, Burma, glass plate negative, possibly C 1930s, from the collection of Louis Allan Goss', © Museum of Archaeology and Anthropology, University of Cambridge
N.98086.GOS ‘Trading boats, Burma, glass plate negative, possibly C 1930s, from the collection of Louis Allan Goss', © Museum of Archaeology and Anthropology, University of Cambridge
Memorial Altar to Cadogan Hodgson Cadogan, by George Walker Milburn (1844–1941)  and Messrs Hicks & Charlewood, Brinkburn Priory, Northumberland, © Historic England Archive
Memorial Altar to Cadogan Hodgson Cadogan, by George Walker Milburn (1844–1941) and Messrs Hicks & Charlewood, Brinkburn Priory, Northumberland, © Historic England Archive
Geode by Michael Ayrton (1921–1975), Colchester and Ipswich Museums Service: Ipswich Borough Council Collection, © the artist's estate
Geode by Michael Ayrton (1921–1975), Colchester and Ipswich Museums Service: Ipswich Borough Council Collection, © the artist's estate
Triple Mycomorph by Bernard Reynolds (1915–1997), Christchurch Mansion, Colchester and Ipswich Museums Service: Ipswich Borough Council Collection, © the artist's estate
Triple Mycomorph by Bernard Reynolds (1915–1997), Christchurch Mansion, Colchester and Ipswich Museums Service: Ipswich Borough Council Collection, © the artist's estate
Robert Burns and Highland Mary, Hamilton Plantagenet MacCarthy (1846–1939) (after), © McLean Museum and Art Gallery – Inverclyde Council
Robert Burns and Highland Mary, Hamilton Plantagenet MacCarthy (1846–1939) (after), © McLean Museum and Art Gallery – Inverclyde Council
V.2024.103.1; V.2024.103.2; V.2024.103.6, huipil, skirt and bag, Guatemala, © National Museums Scotland
V.2024.103.1; V.2024.103.2; V.2024.103.6, huipil, skirt and bag, Guatemala, © National Museums Scotland
V.2024.47, medallion by Josiah Wedgwood & Sons, circa 1789, © National Museums Scotland
V.2024.47, medallion by Josiah Wedgwood & Sons, circa 1789, © National Museums Scotland
Z 36443, illustrated book by Mrs T H James and 1943.106, 'netsuke of a badger-kettle', Japan, © Museum of Archaeology and Anthropology, University of Cambridge
Z 36443, illustrated book by Mrs T H James and 1943.106, 'netsuke of a badger-kettle', Japan, © Museum of Archaeology and Anthropology, University of Cambridge
Z 7034, cuirass and 2011.93.3, helmet, Kiribati, © Museum of Archaeology and Anthropology, University of Cambridge
Z 7034, cuirass and 2011.93.3, helmet, Kiribati, © Museum of Archaeology and Anthropology, University of Cambridge
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